About ReSources, as stated in the curatorial text from the exhibition.
At the beginning, ReSources unfolded as a shapeless project that sought nothing more than to research the idea of waste. What is waste? While the question will always be relevant, ReSources wants us to also ask ourselves what isn’t waste.
After a first decade studying waste in its material, immaterial, symbolic, and conceptual realms, from the obvious to the profound, ReSources currently reaches certain maturity through its practical and applied research as well as a theoretical and academic body.
Appealing to the freedom within the broad spectrum of waste, ReSources encompasses trash, the ordinary, the invisible, the discarded, the unwanted, the hidden, filth, danger, excess, imperfection, the useless, impurity, taboo, pollution, and so on. At the same time, with the artistic openness to work in diverse media such as installation, photography, poster, typography, performance, assemblage, painting, and ready-made, among others, materializing in diverse contexts such as galleries, public, academic and private spaces, and new media.
ReSources, then, seeks to open paths to facilitate accessibility and the transition toward a sustainable future, while acting as a creative catalyst. Waste, sustainability, and creativity, in short, cohabit here in a symbiotic relationship, sometimes serving as bridges, sometimes as axes.